This works really well when there isn’t a lot of background noise and when the speaker is recorded at a good level. While the “best” way to get rid of audio you don’t want is to delete that portion of a clip, many times you can accomplish the same thing using a noise gate. What this does is suppress audio output if the audio level in a track falls below a certain level. Locked clips are indicated by the small lock icon shown in the screen shot above. NOTE: I use this feature so much I created a keyboard shortcut for it: Control + L. This prevents clips from shifting horizontally, which would knock them out of sync. Select all the clips ( Cmd + A), then Control-click any selected clip and choose Lock in Time. If you are editing audio that will be matched to video, it is ESSENTIAL that clips not get out of sync during the audio mix. ![]() NOTE: 1 toggles between the Waveform Editor and the Multi-track Editor. This will also load the repaired clip back into your edit. Then, press 1 to return to the multitrack editor. ![]() Open the Diagnostics panel (it is in the same group as Effects Rack).But, you may be able to fix the problem by repairing the clip: If it sounds distorted, you’ll probably need to edit it out of your piece. Play the clip and make sure it sounds acceptable to you. Click the small white flag to the right of the number to jump to the first clipped sample. Any number greater than 0 indicates potential distortion. While all these numbers are helpful, the key is Possibly Clipped Samples. but do use this to review your clips.Ĭhoose Windows > Amplitude Statistics, then click Scan Selection. DON’T edit in this window, as all edits are destructive (meaning you can’t change your mind later). Double-click each audio clip to open it in the Waveform editor. And here’s an article on how to use the Multi-band Compressor.īefore you start editing, make sure your source media is OK. ![]() Here’s an article that explains how to use EQ to shape the sound of a voice. NOTE: Each of these clips needs EQ and the Multi-band Compressor added to shape the sound and, more importantly, to boost and smooth audio levels. As you start to use automated tools to help you edit, it is important to pay closer attention to recording levels. The Host is low, Guest 1 is REALLY low and Guest 2 is really loud. Notice how uneven the levels are for each guest. I used a similar format each week when editing the Digital Production Buzz podcast.
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